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Item
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The Buddha: Aniconic and Iconic Representation
http://hdl.handle.net/20.500.12678/0000005626
http://hdl.handle.net/20.500.12678/00000056268ba9d72b-1ef6-4f77-940e-71f7eae86f26
ba64707a-8b1f-4c71-ad6a-cf3668bc7ec1
Name / File | License | Actions |
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Publication type | ||||||
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Journal article | ||||||
Upload type | ||||||
Publication | ||||||
Title | ||||||
Title | The Buddha: Aniconic and Iconic Representation | |||||
Language | en | |||||
Publication date | 2020-05-30 | |||||
Authors | ||||||
Swe Zin Myint | ||||||
Description | ||||||
In the earlier period after the Buddha, Gautama Sakyamuni, Buddhists specified the Buddha as the symbols for worshipping in aniconic form at first and anthropomorphic or iconic form later in India. Among these aniconic representations of the Buddha, the stupa is the most popular form until now in comparing with other aniconic representations. The stupa is the first religious object for worshipping relating to the remains after the decease of the Buddha. Later, Buddha images have been carved as the iconic representations of the Buddha. It is an evidence that the Buddhists brought these representations of Buddha into existence and started worshipping. In this research, how the Buddha images and the stupas are related to each other will be analyzed with reference to three specific examples. | ||||||
Keywords | ||||||
Buddha, Aniconic or Anthropomorphic form, Iconic form | ||||||
Journal articles | ||||||
2 | ||||||
University of Mandalay, Research Journal | ||||||
251 - 258 | ||||||
11 |