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The Transformation of Weaving in Myanmar from the Tradition to the Modernity and Its Impact
http://hdl.handle.net/20.500.12678/0000005604
http://hdl.handle.net/20.500.12678/00000056042c5f2ba3-6884-4e33-89b6-08b63a3670ca
290a66ba-e04a-4f80-a9ea-fe343d62bb32
Name / File | License | Actions |
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Publication type | ||||||
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Journal article | ||||||
Upload type | ||||||
Publication | ||||||
Title | ||||||
Title | The Transformation of Weaving in Myanmar from the Tradition to the Modernity and Its Impact | |||||
Language | en | |||||
Publication date | 2020-05-30 | |||||
Authors | ||||||
Yan Naing Lin | ||||||
Description | ||||||
Myanmar traditional handicrafts such as silversmith, goldsmith and weaving suffered eclipse under the penetration of the western culture, especially, the weaving experienced the great challenge by the domination of the western textiles under the Luissez Faire policy practiced by the British. Together with the exhortation of Myanmar nationalist leaders of YMBA in order to uplift the traditional weaving, Saunders Weaving School came to be emerged under the endeavor of Mr. Saunders. He intended to produce more clothes by means of modernized looms in order to uplift the social life of the weavers and therefore he attempted to transform the conventional weaving craft and to spread it to the whole country. As a result of this effort, many weaving schools came to be developed alongside many private weaving factories throughout the country. Also the Saunders Weaving Institute helped to the development of Lun-yar-kyaw Acheik by combination of traditional methods and modernized instruments. This paper is intended to explore how the weaving in Myanmar continued to develop, survive and how the traditional method was transformed into the modernity. | ||||||
Journal articles | ||||||
1 | ||||||
University of Mandalay, Research Journal | ||||||
285 - 298 | ||||||
11 |