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Item

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Depiction of nature in the sculptural art of early Deccan (Up to 10th century A.D.)

http://hdl.handle.net/20.500.12678/0000002900
3ad6f829-c7cf-4af4-89e8-350c18a35fdb
7e08bc33-37e6-4e6c-a049-e8ddc259d9e4
None
Name / File License Actions
DEPICTION DEPICTION OF NATURE IN THE SCULPTURAL ART OF.pdf (6.5 Mb)
Publication type
Dissertation
Title
Title Depiction of nature in the sculptural art of early Deccan (Up to 10th century A.D.)
Language en
Publication date 2004-01-13
Authors
Phyu, U
Description
By the title Depiction of Nature in the Sculptural Art of Early Deccan, we
mean to understand how nature, Le., fauna and flora in the context of the present
study, came to be conceptualized by the sculptor in its depiction on sculptural art that
primarily reflected his perception of understanding nature as he saw it. It also
involved representation that was usually embedded in a religious meaning or
symbolism that was being conveyed since many of the monuments on which this
sculptural art was (bund were centres of worship. Hitherto, very few scholars have
exclusively studied nature in sculptural ari but a large majority of these studies have
focused on understanding it only as a marginal or decorative part of art history. In
fact, no special attention has been made to study the depiction of nature in its varied
natural forms in the context of regional history. Therefore, the present research
undertaken by us in this thesis essentially aims at describing the depiction of nature in
sculptural art in a regional context, namely, of the early Deccan. In an overall sense
this was conceptualized by the sculptor to be embedded in a naturalism that was
essentially linked to an ideological belief system that saw human intervention with
nature in a holistic and integrative way rather than being separated from it.
Keywords
History
Thesis/dissertations
University of Hyderabad
Sen, Parasher Aloka
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0
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