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Ethnographic Textile Art Expressing Symbolic Culture of Asho-Chin Nationals
http://hdl.handle.net/20.500.12678/0000002203
http://hdl.handle.net/20.500.12678/000000220315cf0d35-c953-4f7a-a4ab-0808faf80772
79b3a952-6ae4-445e-b812-77e219898852
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Title | Ethnographic Textile Art Expressing Symbolic Culture of Asho-Chin Nationals | |||||
Language | en | |||||
Publication date | 2009 | |||||
Authors | ||||||
Kyin Lam Maung | ||||||
Description | ||||||
The main purpose of this research is to study on fantastic ethnographic textile art which belong to Asho-Chin nationals based on symbolic anthropological perspectives. Asho-Chin comprises of six distict groups Chinpong. Khamau, Kounsho, Lauktu, Laytu and Sunghtu).The majority of them are dwelling apart from Chin State. Today, though they are locally living in Rakhine State, Magwe Division, and Bago Division, linguistically and culturally, they belong to Chin national. The textiles of Asho-Chin are artistic and aesthetic in terms of weaving. But today the tradition of weaving and wearing is gradually diminishing. For this reason, the major objectives have been set for this research as follows: - To identify the symbolic meaning of the motifs woven on the variety of their textiles through the relevant cultural background among the sub-groups. - To verify the diversification of each group through studying the similarities and differences of the structure and pattern of the textiles from one sub-group to another. - To study and make a document how the textile play an important role in their daily lives through symbolic cultural approach. - To be a comprehensive study, ethnographic textile art of Laytu sub-group will be highlighted explicitly and the rest of sub-groups' textiles will be in general. |
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Keywords | ||||||
ethnographic textile art | ||||||
Identifier | https://uyr.uy.edu.mm/handle/123456789/894 | |||||
Journal articles | ||||||
University of Yangon | ||||||
Conference papaers | ||||||
Books/reports/chapters | ||||||
Thesis/dissertations |