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The Different Quality of Art in Plato’s Aesthetics
https://meral.edu.mm/records/12778
https://meral.edu.mm/records/1277893129bc5-8d2f-4471-b849-f289ca565659
e3675c15-9e47-4e71-a698-f6234937489d
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| Publication type | ||||||
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| Journal article | ||||||
| Upload type | ||||||
| Publication | ||||||
| Title | ||||||
| Title | The Different Quality of Art in Plato’s Aesthetics | |||||
| Language | en | |||||
| Publication date | 2025-12-01 | |||||
| Authors | ||||||
| Phyo Phyo Win | ||||||
| Ei Zar Chi Win | ||||||
| Htay Htay Myint | ||||||
| Khaing Zar Win | ||||||
| Description | ||||||
| This paper is to examine how Plato’s theory of forms significantly influences aesthetics, offering a distinct perspective on beauty, art, and the nature of reality. The research problem is what the implication of Plato’s view on art in society is. The research finding is that Plato was wary of art’s ability to evoke emotions, arguing that it can distract individuals from reason and lead them away from virtuous living. He believed that engaging with art should ultimately promote knowledge and virtue rather than mere emotional pleasure. | ||||||
| Keywords | ||||||
| Art, Aesthetics, Beauty, Mimesis, Society | ||||||
| Journal articles | ||||||
| Kyaukse University Research Journal | ||||||
| 160-168 | ||||||
| IV | ||||||