{"created":"2020-03-08T08:54:33.632756+00:00","id":709,"links":{},"metadata":{"_buckets":{"deposit":"cab8684f-7f33-44e0-9ec7-00a09c085dc8"},"_deposit":{"id":"709","owners":[],"pid":{"revision_id":0,"type":"recid","value":"709"},"status":"published"},"_oai":{"id":"oai:meral.edu.mm:recid/709","sets":["1582963739756:1582966904380"]},"communities":["um"],"control_number":"709","item_1583103067471":{"attribute_name":"Title","attribute_value_mlt":[{"subitem_1551255647225":"Tattoo Art in Myanmar Culture: Special Reference with State Bondsmen of Cavalry Corps","subitem_1551255648112":"en"}]},"item_1583103085720":{"attribute_name":"Description","attribute_value_mlt":[{"interim":"The traditional art of tattooing is deeply rooted in Myanmar’s history: from kings to Commoners, tattoos were exemplars and devices of state bondsmen, masculine strength, feminine beauty, cultural identity and aesthetic appeal, while endowed as well as with spiritual powers serving as protection from evil forces."}]},"item_1583103108160":{"attribute_name":"Keywords","attribute_value_mlt":[{"interim":"Martial Art"}]},"item_1583103120197":{"attribute_name":"Files","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2020-05-05"}],"displaytype":"preview","filename":"Tattoo Art in Myanmar Culture Special Reference.pdf","filesize":[{"value":"927 Kb"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"url":"https://meral.edu.mm/record/709/files/Tattoo Art in Myanmar Culture Special Reference.pdf"},"version_id":"54cb58c9-4a6a-4eec-ad06-84323bc02290"}]},"item_1583103131163":{"attribute_name":"Journal articles","attribute_value_mlt":[{"subitem_journal_title":"Universities Research Journal","subitem_volume":"10"}]},"item_1583103147082":{"attribute_name":"Conference papaers","attribute_value_mlt":[{}]},"item_1583103211336":{"attribute_name":"Books/reports/chapters","attribute_value_mlt":[{}]},"item_1583103233624":{"attribute_name":"Thesis/dissertations","attribute_value_mlt":[{"subitem_supervisor(s)":[]}]},"item_1583105942107":{"attribute_name":"Authors","attribute_value_mlt":[{"subitem_authors":[{"subitem_authors_fullname":"Moe Moe Oo"}]}]},"item_1583108359239":{"attribute_name":"Upload type","attribute_value_mlt":[{"interim":"Publication"}]},"item_1583108428133":{"attribute_name":"Publication type","attribute_value_mlt":[{"interim":"Journal article"}]},"item_1583159729339":{"attribute_name":"Publication date","attribute_value":"2017"},"item_1583159847033":{"attribute_name":"Identifier","attribute_value":"https://umoar.mu.edu.mm/handle/123456789/429"},"item_title":"Tattoo Art in Myanmar Culture: Special Reference with State Bondsmen of Cavalry Corps","item_type_id":"21","owner":"1","path":["1582966904380"],"publish_date":"2020-03-05","publish_status":"0","recid":"709","relation_version_is_last":true,"title":["Tattoo Art in Myanmar Culture: Special Reference with State Bondsmen of Cavalry Corps"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2021-12-13T03:03:04.371476+00:00"}