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        <identifier>oai:meral.edu.mm:recid/00008384</identifier>
        <datestamp>2022-11-28T05:21:12Z</datestamp>
        <setSpec>1582963788001:1582966444114</setSpec>
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          <dc:title>"Narrative Depiction of Descent from Tā vatiṃ sa: The Buddha Life Story of Bagan Period"</dc:title>
          <dc:creator>Mya Theingi Soe</dc:creator>
          <dc:description>Buddhism has flourished in Myanmar before Bagan period and reached at its highest point
in Bagan period. The glory of Bagan is its thousands of religious monuments. Among
them, Buddha descending fromTāvatiṃ sa is the important  to event of Buddhist's life.  This scene shows the Buddha teaching Abhidhamma to Māyādevi.  The people of Bagan period,both elite class and commoners, had built religious monuments. Their major aim  was thatthey wanted the Buddhism to last longer until 5000 years CE. They used to  decorate theinner walls and ceilings of temples with mural paintings. One of the major themes  of theirpaintings was the eight great scenes of the Buddha's life including  descent from Tā vatiṃsa which was one of the most popular themes in Buddhist art of Myanmar.  On thefull moon day of Thatinkyut, the Buddha descended  from Tā vatiṃ sa after preachingAbhidhama and people welcomed the Buddha with candles or oil-lamps. People of  Baganperiod might celebrate Thatinkyut Festival. The greatest aim of this paper is to  presentabout Thatinkyut Festival which has been held from Bagan period to present  day inMyanmar. One of the depictions of that scene might be related to know the gratitude  of
parents. The study applied field survey and the Buddhist Texts literature. This paper deals
with the study of the scene of descent from Tā vatiṃ sa in Bagan period.</dc:description>
          <dc:date>2022-08-12</dc:date>
          <dc:identifier>https://meral.edu.mm/records/8384</dc:identifier>
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